Learning the Art and
Craft of Poetry (Part One)
As a first step, I’ve compiled a list of poets. This is not
an exhaustive list of all the poets I like or turn to for inspiration or
education. This is not a ranking of the “best” poets. I’m not much on the
Majah, Minah, Mediocah hierarchy game. These are wonderful, gifted poets to whom
I do turn for inspiration, education, and pure pleasure and whose names came to
me as I was thinking of this list. There are other poets who have been and are
important to me who didn’t necessarily rise to the top as I was pondering this
list, such as Sappho, Shakespeare, Donne, Whitman, Dickinson, and many fine contemporary poets. And that’s okay.
This list is simply a place to start.
This is what I always tell my students when I teach writing
poetry. A serious poet should be reading poetry all the time. My husband is a
publisher, and I have worked as an editor. We are always surprised by all the
poets who want to publish so that others will read their work, but they don’t
buy or read anyone else’s work. They will spend a fortune on workshops,
conferences, contests, and reading fees, but they buy hardly any books by other
poets. If you’re on a tight budget, forget the classes and conferences for a
while and buy the work of fine, contemporary poets or those in the generation
just past—and the wonderful classic geniuses of the distant past. Buy them so
you can reread and mark them up, figuring out how they do the incredible things
they do and how they made the mistakes they made that you want to avoid. Do
this first of all, before the classes, workshops, conferences, etc.—all of
which are good things but not as critical as this. Any kind of serious writer
must be a serious reader first.
This little list is a relatively random list of some people
whose work speaks to me, in no particular order. When I read their work, I
think about some part of it or all of it, “Wow! I wish I could do that! How do
they do it?” A good poet doesn’t steal the work of another poet, but we all
steal techniques and make them work for our own idiosyncratic voices. None of
these poets writes the way I do, but I have learned some craft element or
technique from all of them (as well as from many others). If you read these
poets carefully, looking at how they achieve their effects, I guarantee you’ll
find something that will advance your own poetry. Then you can branch out to
the many other fine poets who can serve as models and teachers.
A Few Poets to Read with Care and Serious Attention
Linda Hogan
Lucille Clifton
Luci Tapahonso
Denise Levertov
Diane Glancy
Lucille Clifton
Adrienne Rich
Deborah Miranda
Mary Oliver
Pablo Neruda
Simon Ortiz
William Carlos Williams
Allison Hedge Coke
Gwendolyn Brooks
Elizabeth Bishop
Richard Blanco
Sandra Cisneros
Marjorie Agosín
Sherwin Bitsui
Trish Reeves
Brenda Cárdenas
Lisa Alvarado
Craig Santos
Perez
Kristin Naca
H.D.
Alice Friman
Sherman Alexie
Marilyn Kallet
Robert Duncan
So, Step One is to get thee to a bookstore and buy some of these poets’ works as well as others you want to learn
from.
Step Two is the act of reading the poems like a writer
reads. First, of course, you’ll read them for the pleasure of reading them, but
even in this first reading, you’ll pay attention to what gives the most
pleasure. Mark it as you read. Just as importantly, mark the places where the
poet loses you, where your interest or involvement wanders, where you find
yourself confused. These can be as important to your own writing. Your later
reading of this poet and book will involve attempts to figure out how this poet
does the marvelous stuff—what makes this part so-o-o-o good—and how this poet
weakened her/his own work—why this part isn’t as good as the rest.
If you’re like me and a lot of other poets I’ve known, just
the act of this first reading with that kind of attention will set you writing.
That’s one of the joys of reading for a poet. If you feel you suffer from
writer’s block, start reading poetry with deep, close attention to what the
poet is doing right and wrong. You will almost always find yourself writing
your own poems in response or as a variation or just somehow inspired. This is
always good, but it’s not nearly the end.
Go through that poet’s book again, looking for those marked
areas and rereading them carefully, trying to figure what exactly this poet did
to make it so good—was it his diction, her use of alliteration and assonance,
their line breaks/internal rhyme/connecting images?—and why this poet didn’t
quite make it at this point—was it his use of abstract language, her lack of
attention to the line’s rhythm?—and mark it in the book and write about it in
more detail in your journal. This poet is your teacher. Learn everything you
can from her or him. Then go practice some of those good techniques in your own
poetry. What works with your own voice and vision and what doesn’t? Also, pick
up some of your old poetry and look for those mistakes you identified in the
poet’s book in your own work. Can you see them where you didn’t notice them
before? Can you rewrite and make those points stronger, more vivid?
Follow this regimen with the other books you bought. These
first two steps give you a foundation that nothing else can. And the plus side
of this course for women (and men) with small children, large families,
demanding jobs/spouses, is that you can do it quietly in bits and pieces of time
without having to go away to some conference or university program.
In Part Two, we’ll move on from these steps, but most really
good poets return to them all the time, no matter how many books and awards
they have. These are the poet’s version of the pianist’s scales or the dancer’s
daily practice.
Hi Linda,
ReplyDeleteIt seems odd to me that I hadn't thought of doing this as a daily practice. I do it when I read, but I don't set out to do it. I haven't been writing in books, either. Now I think I will, though. It makes sense. It feels good as well to think of myself as being more able and independent, at least at this stage. When a person doesn't have a lot of time or opportunity to go study, it is a way to internalize through activity that reading and learning are things that you do for yourself.
Reine, yes, I'm always surprised at the number of folks who'll spend fortunes on conferences and contests, but won't buy and use books, the original teachers.
ReplyDeleteI think this is a method that you would find useful. Best of luck! And I'm praying for all your friends and family and mine in the Boston area to stay safe right now.
Wonderful list of poets. I'm familiar with only a few of them and will look up who you recommend. Reading poetry always gets me warmed up to write. Thank you!
ReplyDeleteNICE BLOG!!! Your blog is very informative for us. I would really like to come back again right here for likewise good articles or blog posts. Thanks for sharing a nice information.
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Jimin, for some reason Blogger didn't alert me to your comment. sorry to be so low in responding.
ReplyDeleteI'm with you. When I read poetry, it gets all those writing juices flowing.
Thanks for stopping by.