Showing posts with label Xanath Caraza. Show all posts
Showing posts with label Xanath Caraza. Show all posts

Thursday, August 16, 2012

Books of Interest by Writers of Color—Ruth Behar, Stanley Banks, Xánath Caraza


Ruth Behar, An Island Called Home: Returning to Jewish Cuba (Rutgers University Press) Behar’s latest book is the beautifully illustrated story of her journey back to the island she left for the United States at age five. She seeks traces of Jewish life and spirituality in the land of Fidel Castro. What has survived? And what has been lost? Her search is accomplished and recorded with the compassion and keen observation for which Behar is famed in her groundbreaking anthropological studies, but it is the poet Behar who brings to life the people who struggle to care for the legacy of Judaism in Cuba.

Behar is probably most famous for her work in anthropology, which transformed that field of privileged observers with such revolutionary works as Translated Woman: Crossing the Border with Esperanza’s Story (Beacon Press) and The Vulnerable Observer: Anthropology That Breaks Your Heart (Beacon Press). She has edited pioneering literary anthologies of Cuban and Cuban American writers and of women anthropologists whose artistry informs their ethnography. Her own poetry, stories, and essays have been published in a wide variety of prestigious journals and anthologies. She wrote, directed, and produced an 82-minute documentary, Adio Kerida/Goodbye Dear Love: A Cuban Sephardic Journey, which has been shown to great praise in film festivals around the world. Behar has received a McArthur Foundation “genius” grant, a Guggenheim Fellowship, a Fulbright, and many other awards.

As with so many of the established writers I profile, Behar gives generously of her time and energy to help emerging writers and ethnographers. She teaches writing workshops in Tijuana, at the Macondo Writing Workshop, and even offers a workshop in creative ethnographic writing at the annual meeting of the American Anthropological Association. She is Professor of Anthropology at the University of Michigan, where she is also affiliated with programs in Women’s Studies, Latina/o Studies, Latin American and Caribbean Studies, and Jewish Studies.

Here is the link for Behar’s most recent book. As always, I encourage you to order it from the university press which published it. Small independent and university presses publish the vast majority of the books by writers of color. We need to support the presses that bring these wonderful writers to us.

Stanley E. Banks, Blue Beat Syncopation (BkMk Press) Banks’ fourth book, Blue Beat Syncopation, collects the best of twenty-five years of his poetry. A product of an abusive home in some of the meanest streets in Kansas City, Missouri, Banks writes a number of poems about his bootlegger grandmother with a pistol in her pocket, who gave him the chance and strength to aim for something more. He writes about the number of his family members who have died of violence or are in prison and the hopelessness that infects whole communities.

In an interview, Banks has said, “I was born in the shit-house. You can take that and become bitter and mad and angry at the world. Or, you can take it and say, so I wasn't promised anything, I wasn't given anything, but I'm going to make something better of my life somehow and influence people in a positive way.” With his poetry full of the music of jazz and the blues and the pain of the impoverished streets, as well as with his many years of teaching and work within underserved communities, Banks has made good on that promise. He received a National Endowment for the Arts poetry fellowship and Kansas City's Writers Place Award. His first poetry collection, On 10th Alley Way, won the Langston Hughes Prize. He is artist-in-residence at Avila University and lives with his wife, poet Janet Banks, in Kansas City.


Xánath Caraza, Conjuro (Mammoth Publications) Caraza’s first book-length collection of poetry is a tri-lingual text using Spanish, English, and Nahuatl. Her poetry carries the heartbeat of the oral traditions from which she springs and the places she has visited, celebrating the word as music. Originally from Xalapa, Veracruz, Mexico, Caraza has lived in Vermont and Kansas City. She has an M.A. in Romance Languages and lectures in Foreign Languages and Literatures at the University of Missouri-Kansas City. Her chapbook Corazón Pintado: Ekphrastic Poems (2012) was published by TL Press. She won the 2003 Ediciones Nuevo Espacio international short story contest in Spanish and was a 2008 finalist for the first international John Barry Award. Caraza is an advisory member of Con Tinta and a former board member of the Latino Writers Collective.

Here is the link to buy Caraza’s book. Mammoth Publications is a Native-owned press, so please support them. If we can develop more presses owned and run by writers of color, we will see more writers of color published.

This is the first full writers of color post I've done in a while. These are very labor-intensive, and demands on my time have grown. I will still do these from time to time, but I will be offering as part of this series single book reviews or notices of awards for writers of color more often. To keep to the format with which I began this series would guarantee that I'd hardly ever post another entry in it. I still hope to get through my long list of fine writers of color, even as more are added, but I will have to do it in an easier format most of the time.

Friday, November 20, 2009

"Voicing the Spiritual Self: The Interfaith Language of Doubt and Belief " at The Writers Place last night

Here I am opening the evening and welcoming our audience of 60+ to The Writers Place on behalf of the board. This TWP event is just one of a number of events that take place all over Kansas City for the Festival of Faiths put on annually by the KC Interfaith Alliance. This is the second year we've done this at TWP.

Donna Ziegenhorn from Festival of Faiths welcomes and announces some of the final FOF events.

Lee Slusher (Stumbling Deer) plays inspirational Native American flute throughout the early part of the program.

Lewis Diuguid, Kansas City Star editor, author of two books and one of Kansas City's primary voices of reason and tolerance, served as the evening's emcee.


Two of the event's authors, Caryn Mirriam-Goldberg and Diane Glancy, in the audience at the beginning of the evening.

Caryn Mirriam-Goldberg, poet laureate of Kansas, begins the evening's readings. "I've ventured into midrash on this, the traditional Jewish practice of reinterpreting Old Testament stories. Or if you want to be academic, you could call it a feminist revisionist subversive postcolonial recreation."

Diane Glancy, Cherokee writer extraodinaire, reads a short essay that takes us flying the Great Plains with her. "Often people ask me to speak on Native American spirituality, which I do, but when they ask me to speak on my own, I speak of Christianity. They're always disappointed."

Karta Purkh Singh, practicing Sikh since the early 70s, reads a meditation dialogue with his mind and a list of rules for life. "Sweat some each day. ... Serve someone else, the most humble person you know."


Xánath Caraza, one of our great Latino Writers Collective writers, reads poetry in Spanish and English about key moments in her life. "When I came to the United States, I suddenly became a woman of color. In Mexico, I was just a woman--with challenges, of course. Now, I found I was a woman of color, and I thought--how wonderful! I can be purple or gold or green or whatever color appeals to me that day since I am a woman of color."



Natasha el-Scari reads from her poem, "I Am a Citizen of the World." "You're going to have to change the color and shape of that box if you want to put me in it."


Bukeka Shoals graces the end of the evening with her powerful voice and original music.


This was a remarkable evening of talent and diversity of voice and approach to spirituality. Alejandro Siqueiros, cultural attache to the Mexican Consulate, attended and said, "This was marvelous. I have never seen anything like it. The different voices and different beliefs! It was a wonderful and enlightening evening."

And all I can say is, Amen!