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Today, I got one of those great
treats that writers love to receive. My author’s copies of Kansas City Noir arrived from Akashic Books. There is little in
life to compare with ripping open a package to hold the actual physical book
that’s been an image in so many people’s heads for so long. It’s a beautiful
book as you can see from its perfect noir cover. It’s also remarkable for the
stories it contains. I’m happy to be included in this collection of literary
and mystery authors with excellent writers like Daniel Woodrell, Nancy Pickard,
John Lutz, Matthew Eck, Catherine Browder, J. Malcolm Garcia, Kevin Prufer,
Nadia Pflaum, Mitch Brian, Phong Nguyen, Grace Suh, Andrés Rodríguez, and Philip Stephens. Steve
Paul, Hemingway scholar, award-winning poet, and long-time editor and writer
for the Kansas City Star, was the editor
who put together this fine collection of stories born and bred in Kansas City
and strolling down the darker lanes of human experience.
For those of you not familiar with
the Noir Series of anthologies set in various cities and locales (such as
Indian Country) around the world that Akashic Books publishes, pay attention.
You’re in for a treat. The brainchild of Johnny Temple and Tim McLoughlin, this
series bring together accomplished writers of literary fiction and crime
fiction—in some cases, of both—to spin stories that could be set only in that
city or locale, stories that draw on local history, legend, and atmosphere and
are set in a particular location or neighborhood. I love the tagline Akashic
uses for these books—“reverse gentrification of the literary world.” That makes
this post perfect for my Literary Mystery Novelists series.
As Steve Paul says in his
introduction, “Kansas City is a crossroads. East meets West and North meets
South here. Since its settlement in the first half of the nineteenth century,
Kansas City has represented a place of opportunity, optimism, and ornery
behavior.” After all, it was the powerful Mafia families of wide-open-until-the-late-fifties
Kansas City that gave us the casinos of Las Vegas. Today, this first of the western
cities routinely winds up on lists of high-murder locations, primarily due to
the gang crime and violence in a small percentage of the metropolitan area.
Kansas
City Noir contains stories set in city landmarks and in quiet neighborhoods
to which no one pays attention. It contains cops, petty crooks, serial killers,
gangbangers, and law-abiding citizens who step over the line. It contains
beautiful images and language, as well as profanity and ugly crimes. Most of
all, though, it contains fourteen strong, sharp stories with Kansas City
fingerprints all over them.
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