Showing posts with label giveaways. Show all posts
Showing posts with label giveaways. Show all posts

Monday, May 6, 2013

Sparking Creativity

Tomorrow, my second Skeet Bannion novel, Every Broken Trust, will be published. I'm super excited, and I'm also grateful for all the people who pre-ordered this book. The official book launch will take place Friday, May 10, at 6:30 p.m. at Mysteryscape, 7309 W. 80th Street, Overland Park, KS. If you're in the area, I hope you'll join me there. If not, I hope you'll take a look at Every Broken Trust at your nearest bookstore or online outlet. Librarian and book reviewer, Lesa Holstine, said today of this book, "Every Broken Trust is one of the best traditional mysteries I've read this year."

The final winner of my month-long blog giveaway is Diane Waddell. Diane, email me your postal address, and I'll mail your prize (a copy of the anthology, Feeding Kate, and  an elephant sculpture) to you. I hope you've all had fun with this contest as we've built up to the pub date for Every Broken Trust. And now, to today's blog post.



Sparking Your Creativity

As an artist and creative person, I can experience times when I reach down for ideas, for creative excitement, for images, and come up temporarily empty. These have usually been times that have combined lots of creative overwork and lots of business work—taxes, promotion, correspondence, contracts, freelance editing, etc. This kind of emptiness and feeling creatively dry can be terrifying, but I’m now used to it, and I know what to do to refill the well and spark new creativity. In these circumstances, it’s necessary to take time to do things to build up new creativity energy within you. So here are ten ideas to get you started.

 Journal Writing—This is the backbone of the creative life, especially for writers. I’m not necessarily talking about a daily diary. This is a notebook in which you write about what you see and hear, turning it into dialogue or sensory description. This is where you can work with writing prompts from books, workshops, tapes, and DVDs, your version of the pianist’s daily scales. Set a kitchen timer for a few minutes and do some freewriting to unload some of the chattering of your surface mind and move into deeper ideas.

Read Poetry—I’m a poet, as well as a novelist, but I’ve been surprised by how many commercially successful novelists I’ve met who say they regularly or occasionally read poetry as a springboard for their writing. It actually makes great sense because the poet deals in imagery, which is the language of the right (creative) brain.  I know that, whenever I read poetry, it sets my mind whirling with tons of ideas and images. I have come up with ideas for entire novels from reading a poem.

Read Something Very Different for You—If you always read and write poetry, check out a popular novel. If you’re a mystery reader, take a look at what science fiction writers are coming up with. If you read and write literary fiction, pick up a romance novel. Jog your mind from its habitual ruts of thinking and imagining. Stretch out of your comfort zone. Even if you don’t like what you read, it should still shake up your mind enough to start generating ideas, images, and characters.

Singlehanded Brainstorming—Most of us have been taught how to do and forced to sit through group brainstorming sessions before. Take those techniques and a sheet of paper with pen (or iPad or laptop), get comfortable, set a timer again, and start throwing out ideas at top speed. Same rules as with the group process. You can’t disqualify any idea, no matter how unrealistic. You want to generate as many ideas as you can as quickly as you can. Just list them down the page—or even use a voice recorder to capture them.  After the timer goes off, you can go down the list considering the possibilities you’ve listed. Look for possibilities to combine aspects of ideas. Write down any new ideas that get sparked by your consideration of the ideas already down on the page. Choose one or two promising (or least abhorrent) ideas and freewrite about them in your journal.

Making Lists—I love listmaking. Make lists of ideas, of characters, of backgrounds you’d like to use someday, of isolated bits of dialogue or description, of actions you’d like to see a character to take. My favorite is to write a list of scenes I’d like to read—exciting scenes, action-filled scenes, emotional scenes, surprising scenes, suspenseful scenes. They don’t have to have anything to do with any project you’re working on or any character you are writing or have written. They just need to be scenes you’d love to read—because scenes you’d love to read are scenes you’d love to write.

Visit a Museum, Gallery, Play, Film, Concert—We writers live and breathe words. Sometimes we need to get out of our heads and see or hear art that isn’t primarily word-based. It can be especially fruitful to go to a film in a language you don’t understand or an art exhibit of a kind you know nothing about. When we have no words to use to explain or understand what we’re seeing, our brains are kicked into another mode of functioning that can become quite generative. Wander around a gallery or museum and take in the colors and shapes. Sit in a concert hall or movie theater and let the music or film engulf you completely, washing through your brain. Come out seeing or hearing in a slightly different mode.

Draw, Paint, Knit, Spin, Sew—Even better than looking at art is making it. Sink your hands into clay or fiber. Splash ten different colors next to each other, taking note of the changes each new color creates. Feel the texture of the fabric, thread, yarn, fiber as you work with it to make something new. Take a penciled line and see what you can create with it. All of this also kicks in the right brain, the imagistic, creative part of us. Stay in beginner mind without worrying how “good” your art will be. This is—and should be—play, completely carefree and innocent.

Go for a Walk—Physical exercise is always a good thing for us sedentary word slugs, but even more important than its many health benefits are the creative benefits of simply moving your body through space. As you move around, your brain begins to get unstuck and to move, as well. A nice, long walk outdoors (preferably in scenic surroundings) can often jumpstart the solution to a creative dry spell. Sometimes a sterile period can arise from being overstressed. Walks are one of the best ways to counter such stress and relax the mind and body.

Arrange Flowers/Rearrange Some Belongings—In the Chinese art of feng shui, rearranging 27 items will start stuck soul energy flowing again. Moving belongings into new configurations, trying for a more pleasing pattern, has long been a cure for the blues and the blahs. We are pattern-recognizing and pattern-creating organisms. To change the habitual patterns that surround us charges us with new energy.  A smaller, simpler version of this is to gather or buy some flowers and assemble them into flower arrangements that please our aesthetic sensibilities. Spending a little time in creating pleasing, artistic arrangements of flowers or accessories will provide a creative boost to stuck energies.

Go to Lunch with a Creative Friend or Two—Everyone has one or more friends or acquaintances who are creative sparklers. Like the child’s fireworks favorite, they give off showers of sparks, or creative ideas, constantly. They are positive and upbeat and always focused on possibilities. Spending some time with them will leave you filled with ideas, energy, and excitement. It’s always worthwhile to give them a call and set up a relaxed lunch in a nice place. Rather than complain about how dry and sterile things are for you right at the moment, ask them what’s new with them and what they see as possibilities for the future.  As they take off shooting into the blue yonder, follow them wholeheartedly and build on all their ideas. You’ll walk away at the end of lunch with a big smile on your face and a bunch of ideas bubbling in your unconscious. Cherish these friends, even if they are unrealistic and immature. Their wild, creative energy is invaluable when your own has temporarily deserted you.

One or more of these ten methods should start your creative powers working once again. I’ve never had to go through more than a couple of these at a time to get my creative mojo stirring. Post this list near your desk, and don’t spend any time or energy bewailing it when a creative dry spell hits. Just reach for this and try whichever of these ideas looks most appealing at the time. If the first doesn’t completely prime your creative pump, move to another of them. Creativity never leaves, but sometimes it needs a spark to start the engine running again. So spark your creativity!

Tuesday, April 30, 2013

Final National Poetry Month Poem & Giveaway Winners

I have been running a blog contest for books to celebrate the upcoming publication of my second novel, Every Broken Trust, on May 7. Every week, all those who leave comments on any blog post of the week are entered for signed ARCs and hardcovers of my novels and of anthologies in which I have work--and sometimes original artwork, as well. Winners of last week's blog giveaway are Storytellermary and Susan D. Please email me your postal addresses at lindalynetterodriguez (at) gmail (dot) com. Mary won a signed ARC of Every Broken Trust, and Susan won a signed copy of Feeding Kate, a crime anthology to benefit the Lupus Foundation.So be sure to leave a comment and check back frequently to see if you've won.

Today's the final day of April, National Poetry Month. As I usually do, I've been putting up poems all month to celebrate, and here's the final one. Last week, I did a guest blog on bad boys at Jungle Red Writers, and there was a lot of interest expressed in my Coyote poems, so I thought I'd close out National Poetry Month with Coyote.




COYOTE IN BLACK LEATHER

Coyote slides on black leather
over the T-shirt
that reins in biceps, shoulders, chest.
Dark jeans and biker boots cover the rest
of his long, lithe body as he invades
your everyday, suburban life
like a growl.
You avert your eyes, pretend
you don’t watch
his tight, hard body, his mocking face.
You know he’s bad, doesn’t belong.
Besides, seeing him makes your face too
red, your breath too
short, your bones too
soft, your clothes too
tight. You pretend
not to peek, don’t want him to catch you looking
at the hungry way he stares at you.
Coyote has no class.

Coyote is your secret.
You tell him it’s more exciting that way.
He lifts the eyebrow bisected by a scar and stares
you into silence. He knows
you’re ashamed. He thinks
you’re ashamed of him.
Coyote takes you
to dangerous places.
In dark, dirty bars, he threatens drunks
and fights to protect you.
Coyote takes you
where no one else can.
Coyote takes you
where you can’t admit you want to go.

Published in Heart’s Migration (Tia Chucha Press, 2009)

Happy National Poetry Month to all of you!  Leave a comment for a chance at the giveaway. And don't forget to pre-order your copy of Every Broken Trust! If you're in the Kansas City area, join me in celebrating at my book launch, Friday, May 10, at 6:30 p.m. at Mysteryscape, 7309 W 80th St., Overland Park, KS.

Friday, April 26, 2013

Learning the Art and Craft of Poetry (Part Two)

This is the second part of a series on learning the art and craft of poetry when you can't always get to workshops or conferences.

Don't forget that all this month I have giveaways for books and other goodies taking place to celebrate the upcoming publication of my second Skeet Bannion novel, Every Broken Trust, on May 7. And if you're near the Kansas City area, join me and an interesting crowd of friends for the official launch at 6:30 p.m. on Friday, May 10, at Mysteryscape, 7309 W 80th St., Overland Park, KS.


Learning the Art and Craft of Poetry (Part Two)


You have been doing your due diligence with careful reading as a writer of the work of others. You have gained a number of techniques and craft elements that work with your individual voice and vision. You have learned a number of mistakes to watch for as you reread and revise your work. And you’re going to keep doing this. Now it’s time to add another step.

This is the moment when conferences and workshops can be useful, now that you’ve laid a solid foundation. A good workshop can offer you the feedback and support of a group of aspiring writers. You may even make friends for life with one or more of them. In fact, that’s one of the things workshops and conferences are most useful for—the contacts and connections to the larger literary world you can make at them.

Big Secret: it’s possible to make similar contacts and connections without leaving home—unless you live in a rural area or very small town. (In that case, you definitely want to start saving money to go to one of the many writing conferences around the country.)

Most cities and many medium-sized towns have poetry readings and book signings, if only at local bookstores or libraries or colleges. Often it’s simply a matter of finding out what, where, and when. These are usually not well-publicized to the general public. If you do some detective work, though, you can learn about where they take place and when and who is coming. Usually you will find a mix of locals and poets from elsewhere in the country, some with national reputations. These readings may be free or ask just a nominal admission fee.


Attend these readings and book signings. Buy the book (remember Part One?). Have it signed. Talk to the poet before and after the reading, at the signing. If very few attend—a common phenomenon—stay with the poet chatting. (You will be remembered and loved for this act of charity!) Ask questions of the poet if you’re not holding up a long line, and if there is a long line, talk to the other local poetry lovers and writers in it. For the price of a book of poetry, you will get information and make contacts that will be useful in your life as a poet.

Oh. You couldn’t do that. You’re shy. Well, how will you do it at your expensive conference or workshop then? Look at this as important practice. A life in poetry is not that of an ascetic writing in an attic isolated from the world. No one will seek you out and beg to publish your work, not even if you sew them into little packets—that only worked once for an extraordinary person with a sister dedicated to her posthumous success. You want to have readings of your own, don’t you? And if you do, you want people to come to them, don’t you? Pay your dues now to support a literary community so there will be one when your time comes.

Start with online groups and listservs, if you’re shy. You can even find internet classes and workshops. You can make good friends with similar interests in online communities. You will hear about calls for submissions on many of them. These are chances to publish in special issues of journals or in anthologies that you may well otherwise never know about. Then branch out into the live world. Go to a reading. Force yourself to introduce yourself to one person there. Meet the poet. Buy the book and get it signed. Go home. See! You survived, and now you know two more people in the world of poetry.

And there you have it. Buy poetry, both books and literary journals. Read like a writer with pencil in hand, learning from the poet’s techniques and mistakes. Practice. Practice. Practice. Take part in all kinds of online, local, and national literary communities. Support other writers as you hope one day to be supported. And then start the wheel all over—read, practice, reach out and support; read, practice, reach out and support. It’s a way of life, sometimes frustrating, sometimes exhilarating, but a continuous cycle.

It’s not your business to worry about where you fall on the Majah, Minah, Mediocah hierarchy. Not that any of us can really help caring about things like reputations, of course. We can’t allow it to become important to us, though. Worrying what influential others will think of your work will cramp your writing and your own individual voice, which is really all any of us have to offer the world in the end. Your business is to read, write, find others who can teach or help you and whom you can teach or help—and keep on doing it to the best of your ability. Focus on the work. In the end, it’s always the best of us.

Just leave a comment with your email to be entered for the giveaway. This week, I'm giving away a signed hardcover Every Last Secret (finalist for the International Latino Book Award) and a signed ARC of Every Broken Trust, which publishes May 7. I'll announce the winners Monday.

Have a superb weekend!