Showing posts with label BkMk Press. Show all posts
Showing posts with label BkMk Press. Show all posts

Thursday, April 5, 2012

A Literary Festival in Iowa City and Two Poems

Last weekend, Ben and I drove up to Iowa City to set up a table at the book fair of a big music and literary festival they were having, Mission Creek Festival. The photo at left is of the coffee shop that shares space with the great independent bookstore, Prairie Lights. One of the things I love about Iowa City, home of the University of Iowa and the Iowa Writers Workshop, is that it's one of the most bookish towns you'll ever visit. Renowned poets and writers have their names engraved in the sidewalks downtown. You find people reading books in public everywhere you go.

We stopped at youngest son Joseph's apartment to spend the night, only to find he'd turned in his dissertation that afternoon. This called for celebration. Joseph's been battling the diss for a year and a half. His normally huge smile is back, and it's obvious a weight has been removed from his shoulders.

Next morning, we headed out to the book fair, and as soon as we had unloaded the boxes of books, catalogs, and subscription cards for New Letters and BkMk Press, Ben headed to Cedar Rapids to catch a plane for Boston. One of the books he'd published, We Are Taking Only What We Need (BkMk Press, 2011) by Stephanie Powell Watts, had been named a finalist for the Hemingway Foundation PEN Award, and the award ceremony would take place the next day.



Fortunately for me, almost-Dr. Joseph helped me at the book fair all day. That evening, I was scheduled to read at an event at Prairie Lights, and we scrambled to make it there in time. This was a reading in honor of New Letters, the award-winning literary magazine.


We had a large crowd show up for the reading with a number of people having to stand throughout. They were a wonderful, receptive audience, also. That's another of the things I like about Iowa City!

In honor of National Poetry Month, I thought I'd post two of the poems I read last weekend.


OKLAHOMA POEM
(for Jim Barnes)

In his first words, I can hear Oklahoma,
the hill country way back behind his talk
about teaching French literature in translation,
as if I have gone home, drifted back
through all the years to that childhood place I fled.

I have described it to others
as the armpit of the nation,
when I was young and not long free
of its windy roads and redbud trees and overgrown
hills, still hurt and bitter
about things Oklahoma had little to do with,
beyond being the last place to stand
for a people and the place where one of them
was born and the place where he left
his wife and kids. The last two events were
what ate at me, and they could have
happened anywhere.

Only the first was unique
to Oklahoma, the old Indian territory
where my ancestors limped off the Trail of Tears
to join other tribes forced from their homes
by other ancestors of mine,
founded the Cherokee Female Seminary
at Tahlequah and a newspaper
all over again,
were finally forced to give up their lands
so rich ranchers could take the best parts
of the reservation and leave the hilly, scrub lands
to my great-grandparents, great-aunts, grand-uncles,
and Grandma.

What does any of this have to do with me now
all these years and miles away?
Me, with the broad squaw face,
as my father, from whom it came, called it?
When I hear Jim say about Oklahoma
(as one refugee to another), “We both got out,
but it’s still inside—it settles in you,”
I know he’s right, Oklahoma in more than his voice,
in the way he makes light of misfortune,
in his penchant for poking fun
at pretensions, his own and others’.
Oklahoma’s settled in us both.
And through the echoes in his voice of its turtledoves
and winds and sky that could pull you off your feet
into infinity if you didn’t have troubles to weigh you down
to the earth, I make my peace with it
and come home.

Published in Heart’s Migration (Tia Chucha Press, 2009)

MEETING HECATE

How I fear the witch in me,
the one in touch
with power, the one who knows
without knowing
how, the secret
priestess, spirit-bearer, the ugly side
of woman, the crone—
and I remember the Cherokee
legend of Stoneskin, superhuman
cannibal, devouring whole
villages, how the People
set up a fortress of women
menstruating, how the sight
of each weakened Stoneskin
until he died and, dying, told them
all the secrets, ways
of power, conjure spells, ways
to do things. The Cherokee live
off the wisdom
of a dying monster and the power
of bleeding women, and they remember
this. There is a witch somewhere
in every woman.

Published in Heart’s Migration (Tia Chucha Press, 2009)

Monday, May 23, 2011

Another Great Writer of Color: Lorraine Lopez and her Gifted Gabaldon Sisters


[This is a review of The Gifted Gabaldon Sisters by Lorraine López that I posted on this blog a while back. I'm bringing it forward into my Books of Interest by Writers of Color series. I will be looking at her newest novel soon also.]

I first met Lorraine López at Con Tinta in Chicago earlier this year at AWP, the national conference of writers and university writing programs. López is one of the organizers of Con Tinta, the annual pachanga of Latino writers and their literary allies from around the country. She is also a veteran of the famous Macondo writing workshop. A professor at Vanderbilt University, López is a charming, soft-spoken woman, whose second book of short stories will be published this fall by BkMk Press at UMKC. [This book, Homicide Survivors' Picnic, was a finalist for the 2010 PEN/Faulkner Award in Fiction, making López the first Latina to become a finalist for that prestigious award.]


López’s first novel, The Gifted Gaboldón Sisters (Grand Central Publishing), raised high expectations since her first short story collection, Soy la Avon Lady and Other Stories (Curbstone Press), won the Latino Book Award and other awards, and her young adult novel, Call Me Henri (Curbstone Press), won the Paterson Prize. The Gifted Gaboldón Sisters exceeds those expectations handily. Four young sisters depend on the family’s mysterious and ancient Pueblo servant, Fermina, after their mother’s death. Early in the book, Fermina dies, after promising each girl a gift. Throughout the book, the story of the sisters’ journey to adulthood with the special gifts endowed by Fermina—Bette’s stories, Loretta’s healing, Rita’s cursing, and Sophia’s laughter—alternates with Fermina’s own gripping story of kidnapping and slavery told to a writer long before the girls were born. The two threads come together as the adult sisters, in a time of crisis for each, journey together across the country and into the past to discover who Fermina was and what kind of magic their capricious gifts really came from. López peoples her book with characters so fresh and alive you expect to meet them just around the block. The rich, vivid writing entwines the reader deeply in the lives of the girls, their relatives, and their lovers. Fermina’s story enlightens and interconnects with theirs from the distant past. The book’s theme focuses on the lives of women in the past and present, how the distant past informs their present identities, and how they overcome or make peace with the limitations life hands them. This is a book you will go back to again and again.


[López is one of the most gifted writers of fiction today. She writes from a position of respect and caring for even her most hapless and out-of-control characters, allowing the reader to see through her eyes the possibilities and hope at each one's core.

Her novels are published by a major publisher, and here's the Amazon link. If you'd rather buy Homicide Survivor's Picnic from the small press that published it, here's that link with a video of her reading it, as well. Readers of this blog will know that I always encourage folks to support the small and university presses who publish most of the new writers in this country.]

Back to the usual format of this series on writers of color at the end of the week.

Monday, September 20, 2010

Friday night reading and Saturday workshop--DON'T MISS!

On Friday, September 24 at 7:00 p.m., at The Writers Place, 3607 Pennsylvania, Gary Gildner and Christie Hodgen will read from and sign their newest books. This reading will be excellent—two award-winning writers! Bios below. Join us.

On Saturday, September 25, Gary Gildner will present a workshop for fiction and creative nonfiction/memoir writers focused on using the techniques of narrative to best effect. At $20 for TWP members and $30 for non-members, this is a real bargain. Read the bio and workshop description below, and you’ll see why.

These events are co-sponsored by BkMk Press and The Writers Place and were made possible in part by funding from the Missouri Arts Council, a state agency.

Gary Gildner is the author of 21 bookS, including The Second Bridge (a novel), Somewhere Geese Are Flying (new and selected stories), The Warsaw Sparks and My Grandfathers Book (memoirs), and Cleaning a Rainbow (his latest collection of poems). He has received The National Magazine Award for Fiction, Pushcart Prizes in fiction and non-fiction, and the Iowa Poetry Prize. His stories and essays have appeared in New Letters, The Georgia Review, The New York Times Sunday Magazine, The Southern Review, Grand Street, Antaeus, The Paris Review, and in many anthologies and textbooks.

Workshop by Gary Gildner

Saturday, September 25, 10 AM – 12 PM Body and Soul with Gary Gildner. This workshop is devoted to the writing of fiction and nonfiction and how they can enrich each other in the pursuit and practice of good narrative. For fiction writers who want their inventions to sound and feel real, be entertaining, and matter, and for writers of memoirs and essays who wish to organize their work by borrowing story-telling technique, the workshop will look at the major elements of fiction—character, dialog, exposition, plot—and engage in useful exercises. Bring your work in progress. $30 Nonmembers $20 Members

Christie Hodgen is the author of the novels Elegies for the Brokenhearted and Hello, I Must Be Going, both from W.W. Norton & Co. Her collection of short stories, A Jeweler's Eye for Flaw, won the Associated Writing Programs Award for Short Fiction, and was published by UMASS Press. Her stories have appeared in over a dozen journals and anthologies, and have won two Pushcart Prizes, a grant from the National Endowment for the Art, and the Tobias Woolf Award, among others. She teaches at UMKC.

Sunday, March 22, 2009

Another Great Writer of Color: Lorraine Lopez and her Gifted Gabaldon Sisters

[This is a review of The Gifted Gabaldon Sisters by Lorraine López that I posted on this blog a while back. I'm bringing it forward into my Books of Interest by Writers of Color series. I will be looking at her newest novel soon also.]


I first met Lorraine López at Con Tinta in Chicago earlier this year at AWP, the national conference of writers and university writing programs. López is one of the organizers of Con Tinta, the annual pachanga of Latino writers and their literary allies from around the country. She is also a veteran of the famous Macondo writing workshop. A professor at Vanderbilt University, López is a charming, soft-spoken woman, whose second book of short stories will be published this fall by BkMk Press at UMKC. [This book, Homicide Survivors' Picnic, was a finalist for the 2010 PEN/Faulkner Award in Fiction, making López the first Latina to become a finalist for that prestigious award.]


López’s first novel, The Gifted Gaboldón Sisters (Grand Central Publishing), raised high expectations since her first short story collection, Soy la Avon Lady and Other Stories (Curbstone Press), won the Latino Book Award and other awards, and her young adult novel, Call Me Henri (Curbstone Press), won the Paterson Prize. The Gifted Gaboldón Sisters exceeds those expectations handily. Four young sisters depend on the family’s mysterious and ancient Pueblo servant, Fermina, after their mother’s death. Early in the book, Fermina dies, after promising each girl a gift. Throughout the book, the story of the sisters’ journey to adulthood with the special gifts endowed by Fermina—Bette’s stories, Loretta’s healing, Rita’s cursing, and Sophia’s laughter—alternates with Fermina’s own gripping story of kidnapping and slavery told to a writer long before the girls were born. The two threads come together as the adult sisters, in a time of crisis for each, journey together across the country and into the past to discover who Fermina was and what kind of magic their capricious gifts really came from. López peoples her book with characters so fresh and alive you expect to meet them just around the block. The rich, vivid writing entwines the reader deeply in the lives of the girls, their relatives, and their lovers. Fermina’s story enlightens and interconnects with theirs from the distant past. The book’s theme focuses on the lives of women in the past and present, how the distant past informs their present identities, and how they overcome or make peace with the limitations life hands them. This is a book you will go back to again and again.


[López is one of the most gifted writers of fiction today. She writes from a position of respect and caring for even her most hapless and out-of-control characters, allowing the reader to see through her eyes the possibilities and hope at each one's core.

Her novels are published by a major publisher, and here's the Amazon link. If you'd rather buy Homicide Survivor's Picnic from the small press that published it, here's that link with a video of her reading it, as well. Readers of this blog will know that I always encourage folks to support the small and university presses who publish most of the new writers in this country.]

Back to the usual format of this series on writers of color at the end of the week.