Tuesday, October 25, 2016

A Poem for National Breast Cancer Month--TO THE NURSE WHO TOLD ME TO GRIEVE FOR MY BREAST

Yesterday was my birthday, a time for reflection. I realized that National Breast Cancer Month had almost passed without me posting anything for it. In a way, that's a very good sign, a sign that my life is getting back to normal. After a battle with breast cancer that made me focus on that disease, I'm now too busy to pay it a lot of attention, except when I go in for my periodic appointments with my oncologist and my semi-yearly visit to the chemo clinic. 

Yet, I don't want to forget or ignore this month. It's important to recognize the struggle I've made and that countless other women are making every day. This year, as a way of giving back to the cancer clinic that gave me such excellent care, I'm giving a writing workshop for breast cancer survivors later this week. As usual, writing helped me through the ordeal, and I hope to give these women tools to help them make it through, as well.

To all the survivors out there, I salute you. To all the nurses and doctors and therapists who work with breast cancer patients, I thank you. And to all the caregivers out there, those spouses, lovers, parents, siblings, children, friends, who've cooked and cleaned and driven to radiation and chemo treatments and held us while we cried after diagnoses, surgeries, and pathology reports, I am in awe of your strength, courage, and love, and I know a lot fewer of us would make it through if it weren't for you.


I sit here unable to understand.
My breasts have been good to me,
I’ll admit to that—
lots of sexual pleasure
through the years,
large cup size when it mattered
to the world around me,
never any problem with infection,
mastitis, fibrosis, cysts.

When I had babies,
my breasts overflowed.
No problem nursing—
I pumped breast milk
for La Leche to deliver
to neonatal preemies.
Men and women who were born too soon
and struggled to live
may be alive today
in part because of my breasts.

It’s not like we’re talking
a hand, an eye, a leg.
It’s just a breast,
mostly a big inconvenience,
always in the way and vulnerable.
Not something I can’t do without.
Losing it won’t cripple me.

And the son of a bitch tried to kill me.

(Published in Black Renaissance Noire, 2015)

Sunday, October 9, 2016

A War Against Women in a Rape Culture (with poem)

At the debate tonight, I saw Donald Trump make light of his leaked video admissions of being guilty of serial sexual assault. I saw him get away with it and have read the comments of many men who say, "It's no big deal." To them, apparently, it's not, but to millions of women, it's a terrible, terrifying reality that we have had to deal with since we were girls.

We know that, any time we are around men, we are at risk of being assaulted. Nowhere is safe. We've been assaulted in churches and schools, on buses and trains, at home and our friends' and relatives' homes--everywhere. We also know that this society doesn't take these assaults--or us--seriously.

I have a poem that I've written about this. I don't read it a lot when I give public poetry readings because it's long and because it's such a grim subject, but whenever I do read it, I always have many women from the audience come up to me afterward, sometimes in tears, to tell me that it struck home, that something similar had happened to them.

Here is that poem.



Before I fall into the past,
I drive to the library,
thumb open a book
about the death of a child
in Greenwich Village and
to trash-filled rooms smelling
of milk, urine, beer and blood,
doors locked and curtains drawn
against the world,
dirty baby brother caged in a playpen,
mother nursing broken nose,
split lip, overflowing ashtray,
and father filling the room to the ceiling,
shouting drunken songs and threats
before whom I tremble and dance,
wobbly diversion, to keep away
the sound of fist against face,
bone against wall.

The book never shows
the other little brothers and sister hiding
around corners and under covers,
but I know they are there
and dance faster,
sing the songs that give him pleasure,
pay the price for their sleep
later, his hand pinching flat nipples,
thrusting between schoolgirl thighs,
as dangerous to please as to anger
the giant who holds the keys
to our family prison. Mother
has no way to keep him from me,
but I can do it for her and them.

Locked by these pages
behind enemy lines again
where I plan futile sabotage
and murder every night,
nine-year-old underground,
I read the end.
Suddenly defiant, attacked,
slammed into a wall,
sliding into coma, death
after the allies arrive,
too late, in clean uniforms so like his own
to shake their heads at the smell and mess—
the end I almost believe,
the end that chance keeps at bay
long enough for me to grow and flee,
my nightmare alive on the page.

Freed too late,
I close the book,
two hours vanished,
stand and try to walk
to the front door on uncertain legs
as if nothing were wrong.
No one must know.
I look at those around me
without seeming to,
an old skill,
making sure no one can tell.
Panic pushes me to the car
where the back window reflects
a woman, the unbruised kind.

In the space of three quick breaths
I recognize myself,
slam back into adult body and life,
drive home repeating a mantra,
“Ben will never hurt me--
All men are not violent,”
reminding myself to believe the first,
to hope for the last.


Years later, my little sister will sleep,
pregnant, knife under her pillow,
two stepdaughters huddled
at the foot of her bed,
in case her husband
breaks through the door
again. Finally,
she escapes
with just the baby.

My daughter calls collect
from a pay phone on a New Hampshire street.
She’ll stay in a shelter for battered women,
be thrown against the wall
returning to pack
for the trip back to Missouri,
a week before her second anniversary.
With her father and brother,
the trip home will take three days,
and she will call for me again.

Ana and Kay, who sat in my classes,
Vicky, who exchanged toddlers with me once a week,
Pat and Karen, who shared my work,
and two Nancys I have known,
among others too many to count,
hide marks on their bodies and memories,
while at the campus women’s center
where I plan programs for women students
on professional advancement
and how to have it all,
the phone rings every week with calls we forward
to safe houses and shelters.

In my adult life, I’ve suffered no man
to touch me in anger,
but I sleep light.

Published in Heart’s Migration (Tia Chucha Press, 2009)